Saturday, February 17, 2018

Ice Princess and Fifty Shades Freed

The Olympics put me in the mood for Ice Princess. It's a movie I've never watched, to this point, because every time I see it, I'm not in the mood. So this week is pretty light on substance. Sue me. ;)

Also, look, I'm aware the Fifty Shades franchise is garbage, problematic, and worst of all - poorly written! But, it's a tradition for my husband and me to enjoy these terrible little cinema nuggets for Valentine's Day, so shut up. ;)

Release: March 18, 2005
Rating: G
Production Company: Walt Disney Pictures
Director: Tim Fywell
My Rating: 4.5/10
Themes: Perseverance, Integrity, Popularity
Content or Trigger Warnings: Unrealistic, predictable sports themes

So, long story short a girl (Michelle Trachtenberg) with a moderate interest in skating but no real training decides to start learning how to skate after a physics assignment makes her see it could be something she really loves. In record time she goes from newbie to landing triples. Thrown in are pat attempts at conflict with a former cheater coach (Kim Cattrall) and a less than enthusiastic mom (Joan Cusack).

it's incredibly unrealistic, and the stuff of typical pre-teen Disney drama. Mom just doesn't understand. The cool girls just don't understand. But with a lot of hard work - and a upbeat pop montage - you too can be a champion (fill in the blank).

it was cute. Pre-teens would love it. Personally, I found the storyline boring and skippable. But I did enjoy the skating parts. Probably won't watch this one again.

Fifty Shades Freed
Release: February 9, 2018
Rating: R
Production Company: Trigger Street Productions
Director: James Foley
My Rating: 2/10
Themes: Toxic relationships, controlling spouses
Content or Trigger Warnings: Sexual content, bad writing

Was it the worst of the trilogy? Well, no... Was it good? Well, no. Here's the thing. You know what you are getting into here. The books are garbage. The two preceding movies are garbage. This was always going to be garbage. But getting past that, there are a couple of things I noticed worth mentioning.

As the source material is really just a glorified Twilight fanfiction, and as fanfiction is notoriously light in compelling plot, but abundant with sexy daydreams, this is the first of the three where I could see they had to add material to the original to not only make a coherent plot but to make the 'conflict' believable'. Now, don't get me wrong. It was very, very close to the book. But there was a little more effort put into the 'Jack Hyde' narrative than leaving it until the last minute to crash together just for your Happy Ever After.

Something, too, that is a little tweaked is Christian Grey himself. While Dakota Johnson has done an admirable job working with less than quality material, Jamie Dornan has had to try to make a likable character from a male lead that is probably one of the most absurdly childish romantic leads in a long time. In the books, I never got the feeling that Christian Grey progressed that much. Yeah, yeah, he wanted a 'vanilla' relationship. He wanted to get married. Came around to having children. Blah, blah, blah. But was it ever any deeper than just being obsessed with out Mary Sue heroine? Never really felt like it. This movie, at least - with Dornan's help - seeks to show marked progression in Christian to the point that by the end, you figure he's relatively well adjusted - or as much as one can be who has only let people touch his chest for the last few months.

This one was less with the sexy details than before, but that's probably for the best. Those sex scenes have seemed forced in cinema-version from the beginning. All in all, it's the same as the others, no better or worse. If you get some little kick out of this guilty pleasure, you'll probably like this one okay too.

Saturday, February 10, 2018

Everything, Everything, Teeth, Tangerine, The Florida Project,

Okay, so I missed last week because I had some work to do and life to live. BUT, I promised myself I wouldn't flake out on this goal, so I'm bringing you FOUR movie reviews today - a day late, I know. With the exception of 'Everything, Everything' these are movies that I've been really excited about. Without further ado...

Everything, Everything


Release: May 19, 2017
Rating: PG-13
Production Company: Warner Brothers, MGM, Alloy Entertainment
Director: Stella Meghie
My Rating: 4.5/10
Themes: Independence, Safety, Romance, Parenting
Content or Trigger Warnings: Teenage sap

You'd be forgiven for thinking you'd stepped into a John Green inspired picture when you watch this one. The film adaptation of Nicola Yoon's young adult bestseller is much in the same vein as works like 'The Fault in Our Stars' and 'Paper Towns'. It is, however, a bit sappier than the love stories of the Green variety.

Don't get me wrong, I found the premise engaging. An 18-year-old girl, Maddy (Amanda Stenberg), lives her entire life in her well-filtered house with her overprotective mother. She longs to go outside but she has a rare disease that makes all outside contaminants fatal to her. She falls in love with the new boy next door, Olly (Nick Robinson). Love leads them to impulsively take a romantic vacation to Hawaii where she falls ill. Deciding to break contact with him so as to never put her health in danger again, Maddy discovers that she never had the rare immuno-deficiency that she's been told makes it impossible for her to leave her home. In fact, she only had low immunity due to her isolation. Confronting her mother, she learns that her mom isolated her out of fear of losing her when her father and brother were killed in an accident. Olly has problems of his own, including an abusive father. It's the stuff of typical teenage fantasy romance.

One glaring problem is that the plot is predictable. I could guess that she wasn't really sick pretty early on. I also knew that she would eventually break out of her isolation and that would lead to a breakup. Basically, every step of the way, you could see what was coming around the corner. As enjoyable as this film might be to a young audience, it doesn't pack much in for older or more cynical viewers.



Teeth
Release: January 19, 2007
Rating: R
Production Company: Lionsgate
Director: Mitchell Lichtenstein
My Rating: 7.5/10
Themes: Sexism, sexual assault, Feminism, misogyny
Content or Trigger Warnings: Gore, violence, sexual assault

I'm so glad I stumbled across this black comedy/horror/social commentary indie flick. I'd heard about it before, and it's had been on my list for a while, but a recommendation from a friend led me to sit down and finally watch. Thanks, Netflix!

Taking on feminist bread and butter like virginity as a social construct, poor sex education, slut shaming, prevalence of sexual assault, the 'nice guy' trope, it gives us a  glorious vengeful heroine ready to use her special 'assets' to rectify the violence imbalance. It really is no wonder that most of the critics who didn't like this movie were men. No one is immune, not even the sort of adorably dorky guy who - though he seems well-intentioned at first - turns out to be an asshole trying to boost his own popularity and esteem through the exploitation of our lead.

The plot is simple. Dawn (played impeccably by Jess Weixler) is an abstinence advocate, saving herself for marriage. When she meets Tobey, supposedly an abstinence advocate as well, and he rapes her, she discovers she has 'vagina dentata' or vaginal teeth. From there, every man who assaults or wrongs her can be instantly punished with a sharp bite from her vagina. I recommend watching it. More information from me will not highlight your experience. What is most fun is to watch Dawn gradually get sick of men's shit and become her own person, not so bogged down by societal expectations of women's sexuality.

Teeth is a fun - maybe a little more entertaining for the women than the men. Still, I highly recommend it to anyone into black comedy and low-budget horror. It has its cult status for a reason. Well, directed and produced, this is a flick I will revisit many times, I'm sure.


Tangerine

Release: July 10, 2015
Rating: R
Production Company: Duplass Brothers Productions, Through Films
Director: Sean Baker
My Rating: 8.5/10
Themes: Transgender issues, sex work
Content or Trigger Warnings: sexuality, language

There is a kind of energy bubbling under the surface of this screwball comedy that follows two transwomen sex workers (Sin-Dee, played by Kitana Kiki Rodrigues and Alexandra, played by Mya Taylor) on a random day in the parts of Los Angeles rarely shown in Hollywood pictures.

I can't say enough about how impressed I am with the cinematography in this film. The entire thing was shot on an iPhone. An iPhone, y'all. It's grainy but saturated to provide a vivid and real quality to a story that feels like it is about real people. Baker not only co-wrote and directed the film but was one of the two cinematographers and edited the film himself. He is clearly brilliant.

It is a deeply funny and moving film, which is unprecedented not only in actually casting transwomen - not cismen portraying transwomen - and telling stories of probably the most marginalized of populations, transwomen of color. While it might seem that a story of such a specific demographic hunting down a philandering pimp might be just the sort of story that wouldn't play well to a large audience, nothing could be further from the truth. In fact, what makes this film so great is that, despite the fact that these two characters are very rarely represented in modern media, this is essentially a buddy comedy anyone can relate to. Best friends through thick and thin, even when you are pissed at each other.

The climax is wildly funny, just to be smacked in the face with the startling reality of transphobia and the struggles that come with being an underprivileged sex worker, and finally a reminder that real friends are always there for you. It is so hard to successfully walk the tight-rope between screwball comedy and deep, real pain but this film does it expertly.  Very much recommend.


The Florida Project
Release: October 6, 2017
Rating: R
Production Company: Cre Film, Freestyle Picture Company, Cinereach, June Pictures
Director: Sean Baker
My Rating: 8.5/10
Themes: Poverty, Sex work, childhood
Content or Trigger Warnings: drugs, sexuality

You may notice that this is from the same director as 'Tangerine'. That's not a coincidence. I watched them both, one after the other, because I wanted to compare them. I was not disappointed. Sean Baker clearly has an eye for portraying real stories about people that are usually underrepresented by entertainment mediums.

This film is told from the perspective of six-year-old Moonee (played fantastically by Brooklynn Prince) in Kissimmee, Florida. Her mother, Halley (played by Bria Vinaite) struggles to keep their heads above water as they live in a single room in a budget motel. While Moonee often seems unaware of just how impoverished she is, her mother resorts to online sex work, locking Moonee in the bathroom so she can see clients.  Though she wants to keep her daughter, her lifestyle causes CPS to step in on Moonee's behalf.

It's a sad ending that leaves you wondering about the real people who are in these situations. Desperate to provide for their families, the work that single mothers might be forced to do is the same work that can tear their children away from them.

What I find really fascinating is that these portrayals are vivid and real. Nearly everyone in the cast but veteran Willem DeFoe (who plays the motel manager) is a newcomer to the business. Perhaps Baker's authentic style lends itself to this kind of fresh, untested actor. Certainly, Tangerine was also filled with relatively unknown actors portraying very authentic characters in an organic way.

If I were to choose my favorite of the two Sean Baker films I watched this week, I think I liked Tangerine better, but really the difference is marginal. They are both very good, moving, and heartfelt pictures that I will undoubtedly watch again and again.

Cimarron (1931)

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